Wholphin

Great lost films are not from 1919, but from the last 20 years.

In the film CHAMELEON STREET, the enigmatic Doug Street puts on a series of cons, sometimes to make money, sometimes to prove he can do more than what the world expects of him. In short time he goes from a simple extortion plot to complex impersonations, including as a reporter from Time, a Yale student, a lawyer and even a surgeon. Yes, a surgeon.

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The point of the film is not just to tell a story of a conman, but asks what a black man is expected to do to make a living in this modern world. Based mostly on the true story of super-con-man William Douglas Street Jr, the film is written and directed by Wendell B. Harris Jr, who also turns in an uncanny performance as the lead character. The film existed in the burgeoning indie cinema of the early 90s. Unlike most of the films around him though, Harris provided a complicated character and not a simple genre drama or comedy. The extremely intelligent Street has great ideas to fight the system, but is constantly stumped by tiny details he cannot control. It’s a drama and you root for Street to win but feel sorry for the people getting conned as well. And it’s bittersweet funny, as the sardonic humor in the film rings all too true. Above all, you feel the frustration that leads to fighting back against the grain.

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Harris acted in his own super-8 film shorts growing up in Flint, Michigan. After reading an article on Street in 1983, he started researching and interviewing him in order to write the script, resulting in 36 versions of the script over 4 years.

The film won the Grand Jury Prize at Sundance in 1990. But that didn’t lead to distribution. Rather, the prize led to many meetings in Hollywood, the insult of a possible remake rather than a distribution deal, some deals for writing scripts, and a brutal joke.

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CHAMELEON STREET did get a forgettable theatrical release and Wendell was able to write some scripts. Only now at the end of 2007 does the film finally get a DVD release. A new video transfer, loads of extras about the making of the film in luscious 1980s video, and the trailer for the film. Also two great short videos, You Know Leadbelly?, which is an entertaining short resulting from pre-production character studies, and the great Colette Vignette, a heavily edited short that shows the basis for some of the artistic ends Harris puts into the film.

The behind-the-scenes footage is appropriately called The Process. The mainstream process of the film industry did not work as well. One of his projects that didn’t take off was Negropolis, a sword-and-sandal satire that he hoped would star Howard Stern as Alexander the Great (remember its 1990), Oprah as Cleopatra with a consortion of Cleos around the world, and Harris himself as “Canigula.” But STREET remains Harris’ only film as director.

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The long overdue DVD is great. The big extra is a layered, interesting group of scenes presented as a 30-minute trailer for his film-in-progress titled Arbiter Roswell. Entirely shot, Harris is currently editing what may be the definitive film document on UFOs.

In the end, Harris feels like there is only one way to look at filmmaking.

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I recently interviewed Harris for my zine Cinemad, which is available right here.

DVD available now from Home Vision and Image Entertainment for $26.99.

If you agree that watching two World Champion Rubix Cube players demonstrate their skills is a good use of time, click here. Dan Dzoan and Ryan Zheng, the stars of “Piece by Piece” (to be released on Wholphin #5) gave our LA screening an air of technical proficiency we are not likely to see again.

From the stunning eight-minute opening shot of to the remarkable documentation of China’s Three Gorges dam, you are overwhelmed by MANUFACTURED LANDSCAPES (2007). Partly by the size and space of the landscapes, but mostly by the incredible beauty of the images, their composition and color, only to be crushed by the content: a luscious world of destruction.

You can enjoy this vibrant doc even if you are not riding the current wave of environmental danger films. See the environment – see all of us run. If Al Gore makes you feel like you need more visual aids, or if you feel you need words with KOYAANISQATSI, then this is the perfect companion film for the trilogy.

Ultimately LANDSCAPES is the portrait of one man’s voyage, following celebrated still photographer Edward Burtynsky on a tour of Asia taking photos. Burtynsky takes large format stills of industrial landscapes – factory workers lined up to infinity, giant ships eviscerated, massive recycling dumps, expansive strip mines. The goal is to portray human’s relationship to nature in our pursuit of progress. His images are striking and picturesque, leaving the viewer on their own to comprehend the negative global ramifications within.

Director Jennifer Baichwal makes impressive choices. The film perfectly balances the images of Burtynsky and talented cinematographer/creative consultant Peter Mettler, an acoomplished filmmaker and imagemaker on his own. Burtynsky presents the expanse and philosophy, and the filmmakers examine the tiny parts. And when Burtynsky speaks, he doesn’t celebrate nor condemn, but explores who we are in relation to our planet. We need things from the environment to survive, and that is damaging the world.

DVD has tons of extras, additional scenes, commentary and interviews with Baichwal, Burtynsky and Mettler, and a great photo gallery with commentary. Released by Zeitgeist Video, available now for $29.99.

Carson Mell has not been stewing yams. His email said “Coming soon” and it contained this teaser:

Well, we are well teased. If there was an emoticon for when your beans sprout flowers and fill the sky with the virile anticipation of the salad days to come we would have used it here. In any event, we are excited to see the latest chapter in the continuing saga of Bobby Bird. “Chonto” is coming!

Part loving art-doc recreation, part comedic musical, INTERKOSMOS may be the best communist propaganda since 1955, a genre that excelled in style and mathematic form. It revels in the Russian avant-garde cinematics that bled into its bombastic government documentaries. Once some human issues come up (birds and bees and astronauts), the film gets realistic and funny. Although you are never quite sure what filmmaker Jim Finn takes seriously, alternating between laughs and existentialist atmosphere, as if it was a predecessor to the new Daft Punk film Electronoma.

Following the space exploits of cosmonauts Seagull and Falcon, East Germans on their way to conquer moons of Jupiter and Saturn, INTERKOSMOS blends the deadpan but beautiful vibes of newreels, NASA static drone cameras – and actual musical sequences with a drill team – to a great new film that’s almost educational. The feature started out as a sequel to one of Finn’s short films about a gerbil, hoping to send the little guy in space. The film kept growing until humans in spacesuits and dance numbers were added. It would win art direction awards if film fests had them. The music is original but drawn from 70s German pop and real communist morale boosting riffs. There’s even exit music. The scenes and dialogue are also new but inspired by real training films.

While its perfect for film fest crowds and art fans who’s temple is the Museum of Jurassic Technology’s oil painting lounge dedicated to the Russian rocket dogs who did not return from space, Interkosmos could also play on PBS. And I seriously, seriously want it to play to Russian audiences over 50 – can anyone make this happen?

DVD available now from Facets Video, 24.95 capitalist-pig dollars.